Have you ever felt lost, out of synch with yourself or with the world around you?
Have you ever felt lonely?
Have you ever felt that your strength has abandoned you?
Have you ever felt no hope?
Have you ever felt trapped?
Have you ever felt really, really tired?
Have you ever felt you have nothing else to give?
Have you ever felt all the words were already said?
Have you ever felt your ideals had turned to dust?
Have you ever felt that the knowledge you gathered was useless?
Have you ever felt betrayed?
Have you ever felt jealous?
Have you ever felt that someone you cared about left you behind?
Have you ever felt that your love was so precious, so beautiful but now all there is left is sorrow and regret?
Have you ever felt time has passed and you are inevitably old?
Have you ever felt all has been in vain, all has been for nothing?
Have you ever felt that you have failed yourself?
Failed yourself in a deep, fundamental way?
For all those who, like me, at some point in their lives, have felt anything like this, I light a candle.
The movie is a global melodrama, is about how our lives are so closely connected even though we can bearely communicate with each other. We know so little about each other. We don't speak each other's languages, we don't know each other's cultural codes of conduct. Nevertheless, couples cross half the globe to have a holiday, to try to talk to each other when they are in crisis. Because communication can break even within your own culture, within your own family and speaking the same mother tongue. This becomes quite clear from the puzzle of the various stories. And you can find integrity and confort even in stranger's - there is the touching scene when the American (Brad Pitt) finally gets the plane to land for the rescue of his sick wife (Cate Blanchett), and he offers money to the poor Moroccan guy who has helped him from the start, and the guy refuses. However, I must say that the melodrama seems too artificial for me to buy it - and ending too happy after so much crying and suffering. The way all the stories are woven together is not convincing at all. Everybody is a victim, but at the same time all the suffering is healed like magic (perhaps I must say that the poor, the Third World characters of the film seem to be the only ones who will forever bear the consequences of the tragedies that fall upon them).

waiting-for-the-fields Originally uploaded by lyrical.
"A colheita é comum, mas o capinar é sozinho."
-João Guimarães Rosa
"The harvest is collective, but farming is a lonely job."
-João Guimarães Rosa
There is some kind of very special cumplicity in love that overlasts the relationship (at least, a true, good relationship). It is all gone, and you are still loyal. You don't betray secrets. You don't tell lies. When love is gone, there is still some dignity, and that matters.
I remember one occasion when I felt that we had a very special relationship indeed. It was all over. There was no nest anymore. But your parents were coming for a visit. Of course that weekend should be nice; the house should look nice. No arguments. We went shopping for food and extra glasses. We did some cleaning. And you planned nice things for us all to do. Guess all it well, apart from the rain - but I cooked dinner and it gave you the chance to talk to your parents (we had planned a picnic). And you were happy and said THANK-YOU. We were friends then, good friends and that was OK then, at that moment.
Há um tipo especial de cumplicidade no amor que sobrevive ao relacionamento (pelo menos, a um relacionamento bom, verdadeiro). Quando não há mais nada, ainda há a lealdade. Não se traem segredos. Não se contam mentiras. Quando não há mais amor, há ainda dignidade, and isto importa.
Eu me recordo de uma ocasião em que senti que realmente tínhamos tido
um relacionamento especial. Não havia mais nada. Não havia mais ninho.
Mas seus pais vinham de visita. Claro que aquele fim-de-semana tinha
que ser especial; a casa deveria estar linda. Sem brigas. Fomos fazer
as compras de supermercado e compramos mais copos. Limpamos a casa. E
você planejou coisas legais para fazermos todos juntos. Acho que tudo
deu certo, exceto a chuva - mas acabei fazendo o jantar, o que lhe deu
a chance de conversar com seus pais (tínhamos planejado um piquenique).
E você estava feliz e me disse OBRIGADO. Éramos amigos então, bons
amigos e estava tudo BEM então, naquele momento.
"Amor é futuro à vista" (="Love is future in sight"), as our great writer Guimarães Rosa so well put. Tell me why the moment you start feeling really close to someone, you feel like making a nest with the person? At least it's like that with me. Perhaps you should ask more questions, wait a while, and see what happens.
But no: I start making plans, buying things for the house - even small
stupid things - like coasters, beautiful napkins or nice glasses. It's
so much more fun to go shopping for the house when you have a plan in
mind, when you are building your little nest, because at the end of a
long day it´s wonderful to go back to a warm home, someone waiting for
you, ready to say "hello, how was your day?". Yes, all these stupid
common place things wander through my mind sometimes. Come and go. I
have been there. Had these dreams with someone. Tried to build the
nest. And make the plans. And I still remember when I was tidying up
our books and you got really upset because I had too many - where would
all your books go to? Would they get mixed up with mine? I had to do it
all over again. Painfully I placed my dear books on the floor in the
bedroom. Painfully I started to see there was something wrong, and no
matter how nice and cousy the nest could feel, something would always
be wrong. "Love is future in sight", sometimes all love is is an image
of a future that will never happen.
Carnaval Olinda Originally uploaded by klabrazil.
The crowded streets of old Olinda during Carnival...

Galo da madrugada Originally uploaded by patricialeal.
" This huge chicken, placed in the middle of the city during
Carnival is the symbol of 'Galo da madrugada', the largest
Carnival group in
the world (by the Guinnes Book of Records). Every year on a Saturday,
when Carnival officially starts with 'Galo da madrugada', around 1.5
million people get together under our 35° C degrees summer's
temperature to celebrate Carnival in Recife's crowded streets." Text by
patricialeal.
XXth Century - Carnival in Recife was characterised by various associations and clubs, the most important of which was the International Club - the club of the well-off. The Carnival of the beginning of the XXth century took place on the city centre streets, and the available public transport (urban trains and tramps pulled by horses) arrived from the suburbs overcrowded with people who wanted to join the celebrations. Things like bedsheets were used as improvised masks. Clubs such as "Cavalheiros de Satanás" (Satan's Gentlemen), "Caras Duras", "Filhos da Candinha", and "U.P.M." took part in the Carnival from 1904 until 1912.
The traditional Corso crossed the main streets, and was composed by various cars pulled by horses. The great fun of the Corso was to throw confetti and serpentine, water with lime, as well as perfumed water. In addition, there were decorated trucks (also pulled by horses) and charriots, from where people would sing and play Carnival marching songs.
This was based in Fundação Joaquim Nabuco - Carnaval de Pernambuco.
Check the website for information in Portuguese.


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